在我國，雖然秦始皇下令收繳天下兵器，運至都城咸陽銷毀，并鑄成12個各重24萬斤的大銅人，排列在阿房宮殿前，但并不似西方那樣自覺將其作為城市的組成部分。在以后的漫長歲月中，也未出現(xiàn)類似西方的人物雕塑。

In China, although the first emperor of Qin ordered to collect weapons from all over the world, transport them to Xianyang, the capital, for destruction, and cast 12 bronze men, each weighing 240000 Jin, in front of Afang palace, they did not consciously regard them as a part of the city as the West did. In the long years after, there was no figure sculpture similar to that in the West.

直到20世紀上半葉才在一些經(jīng)濟、文明比較發(fā)達的城市，如上海、天津、成都、廣州、重慶等地建立了一些真實意義上的人物雕塑。50年代特別是80年代以后，伴隨著改革開放和經(jīng)濟、文明的開展，人物雕塑在許多大中小城市如雨后春筍般出現(xiàn)，其間不乏非凡秀之作。

It was not until the first half of the 20th century that some real sculptures were built in some economically and civilized cities, such as Shanghai, Tianjin, Chengdu, Guangzhou and Chongqing. In the 1950s, especially after the 1980s, with the reform and opening up and the development of economy and civilization, figure sculptures have sprung up in many large and medium-sized cities.

我國古代人物雕塑藝術(shù)是整個人類文明藝術(shù)的重要組成部分，從體裁來說,其主要包括墳?zāi)沟袼堋⒆诮痰袼芎蛣谧魃罴帮L(fēng)俗雕塑等;從類別來說,其有圓雕、浮雕、紀念性雕塑、案頭雕塑、修建及器物裝修雕塑等。雕刻資料也豐富多彩，除了青鋼、石、磚、泥、陶等資料外，還有玉、牙、木、竹等。

The art of figure sculpture in ancient China is an important part of the whole human civilization. In terms of genre, it mainly includes tomb sculpture, religious sculpture, work life and custom sculpture, etc; In terms of categories, there are round sculpture, relief sculpture, memorial sculpture, desk sculpture, construction and decoration sculpture. Besides green steel, stone, brick, clay and pottery, there are also jade, tooth, wood and bamboo.

我國的古典雕塑造型一直是傳承著歷朝歷代的文明符號,一直沿襲至今。雕塑家們在創(chuàng)造的時分.其間融入了更多元文明使古典雕塑符號在新的時期增加新寓意。這樣古為今用的辦法,使得觀者回味經(jīng)典雕塑的一起，能夠聯(lián)系時代引發(fā)出更多的沉思。

China's classical sculpture has always been a symbol of civilization of the past dynasties, has been followed up to now. When sculptors create, they integrate more meta civilization, which makes the classical sculpture symbols add new meanings in the new era. This way of making the past serve the present, makes the viewer relish the classic sculpture together, can contact the times, and cause more meditation.